When the usual daily sitting meditation period is suddenly extended, without any warning, there is the tendency to think that something is happening “longer” than usual.
From the standpoint of before-thinking mind, “don’t know,” nothing could be further from the truth…
(Insta-bite excerpt from the longer video, “Moment = Infinite Time”.)
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Hello Hyon Gak Sunim, I wanted to ask you about the why questions. Up until recently I used to enjoy answering the why questions that would pop-up in my head, during unpleasant emotions and thoughts. When an unpleasant emotion appear, or unpleasant thought would appear, I would ask why. I would get an answer from which I learned a lot about me and a lot of my conditioning and beliefs that controlled my life. Lately I don’t like answering them. Answering is not interesting me. What should I do?
Thank you very much for your letter.
In your letter, you say that you “used to enjoy answering the why questions that would pop up in my head.” You said that, from this way of practicing or watching, you were able to “get an answer from which I learned a lot of my conditioning and the beliefs that controlled my life.”
So, this kind of practice is a kind of baseline mindfulness practice, a watching. It’s helpful to do this. But it is not Zen. It is an analysis or search for understanding new things about yourself, but it cannot really be said to be the practice of asking “What am I?” It is not full-on deep-question Zen. It will not lead to complete attainment of your True Nature.
Zen is not about understanding. It is not a form of analysis, nor should it produce any kind of better “understanding” about oneself. That understanding which comes is a by-product, if you will, of the search into don’t-know, the limitless, borderless place before “understanding” appears. But Zen is not there: Zen is looking into your before-thinking mind.
So, you can use one knife very different ways, and get very different results. Likewise, the way of looking into this existential “what?” (or, maybe, “why?”) can be used in various ways. Psychotherapy uses the “Why?” to dig at important strata or memory, and relationship, and emotional patterning. Certain forms of counselling also provide “understanding” by peeling away layers of ignorant or one-sided thinking. That’s wonderful.
In Zen, we should not use this “Why?” for understanding the memory-“I” or psychology-“I” or gender-“I” or social-“I”, but to attain our most fundamental nature. To sit there and attain that there is NOT a separate “I” or self, there is also nothing to understand — this is the eventual depth of effort in Zen meditation. “No attainment, with nothing to attain,” as the Heart Sutra says. Everything, right now, is moment: unmoving, eternal moment. This is the place of no-I. This is the point of Zen.
s the ancient kong-an (koan) urges, in Zen we are taking one more step off of a 100-meter flagpole. When one of my senior American monk brothers grew frustrated in a conversation with Dae Soen Sa Nim, and at his own failure to penetrate the master’s teaching, the young monk blurted out, “But I’m just trying to understand your teaching, that’s all.” To which Dae Soen Sa Nim answered, “My teaching is not about understanding. My teaching is only don’t know.”
So, this is a very important point. Perhaps I am overemphasising my own reading of your question, but it seems anyway like an good opportunity to emphasise to others that our practice is not about some search for understanding, the kind that can be bought in books or lectures or videos or through a therapist. Yes, we are all drawn to Dharma because we wish to understand our existence, our life and death, our lightning-flash brief appearance on this speck of dust hurtling through empty space. We practice in order to understand our constantly fractious minds. That is how and why I started.
But, once you begin practice, you have to let go of that wish or search to understand. It is only a habit to wish to understand. There is only, now, constant effort in serious practice. To attain my True Self – NOT to “understand” it, or find a way to describe it through my categories of logic and analysis and memory and comparison, etc., but through practice — to attain that, in truth, there is already nothing to attain: this is the nature of Zen.
So, when some phenomena, appears, we are one with it. When some thought appears, we reflect “back,” we “ask” “Where did that come from?” “What hears that?” “What sees that thought crossing this empty space of moment? What ‘sees’ that?” This is all just a way of keeping the Great Doubt that cuts off thinking and leads straight to don’t know. We reflect back, we “turn the light towards the source of the light.” (Of course, those who come to practice through tragedy or great suffering ordinarily do not need that “nudge” to turn the awareness to the source of awareness: Someone who has just been told that she has only three months to live just does not follow the extraneous thoughts, and rather dwells more reflectively inward. In meditation, we are practicing a kind of “little dying.”) We are returning to silence, ending social contacts and concerns, for a period, letting awareness settle out of the Six Gates [eyes, ears, nose, tongue, body, thinking-mind], into don’t know.
But do not let the “questioning” get verbal or conceptual. Don’t use it to stir up memories or ideas for how to solve this or that “new” understanding that gets churned up. Do not weigh or compare anything that appears in your mind with anything else. All of this may provide refreshing feelings of insight, but they are all only temporary jewels. These little understandings about some aspect of ourself pixilate and float away in minutes or hours or days, at most. They are not the real thing, but a flabby substitute. They are insights that come and go: it’s not taking you to don’t know, the ultimate ground. Arnold Schwarzenegger once said, “If it shakes, it’s not muscle.” If something moves in your mind, or comes and goes in your mind, it ain’t don’t know. It’s not your True Self.
You write, “Lately I don’t like answering [the questions]. Answering is not interesting to me.” That’s it! If you ask after understanding, it inevitably becomes tasteless, it is cheap and it does not remain or even repair anything significantly in your life.
But looking into “don’t know” is infinitely interesting. It never becomes “boring,” or something “repetitious” or rote. It is what is, and there is this immensity to it that is just impossible to put into words. It is very new, and yet absolutely the most familiar “thing”, even older than my understanding. You know it when you feel it. As I heard the American monk Su Bong Sunim once say, “Don’t-know recognizes don’t-know.”
Looking inward, “reflecting mind’s light back to the source,” simply don’t pause at things you might newly “understand” about yourself. Don’t touch anything; don’t hold anything. Just abide in this not-knowing, this “place” before thinking arises.
This is how we practice, this is how we look, this is how we question. This is how we attain our True Nature.
In Haugesund, Norway, in May 2019, a student asks about attaining Zen.
RocknRolla: A visionary treatment of my “What is Zen?” video by the distinguished British genre-polyglot multi-artist — motown mods 69 skin liquidator dubbed 80s afropop tabu ley electro underworld house — named Chris Taylor, known professionally as Arman Ray.
What a fantastic way to convey the Dharma. Please play its Dharma loud.
Arman Ray is a lifelong student of Soto Zen (first Jukai: 1993) and sangha member of Throssel Hole Buddhist Abbey in the UK. His Roshi was the esteemed Zen Master Jiyu Kennett, former guestmaster of Chisan Koho Zenji at Eihiji Monastery in Japan. Arman Ray has thus far collaborated with a French CGI artist for an accompanying-track video and came across my “What is Zen” video (which was filmed by the legendary fashion photographer 김용호 of Seoul). He asked if I would permit this teaching-video to be used in his project, and I granted permission after seeing his other excellent visionary works. The track/video will be one of ten (including one on “The Ten Oxherding Pictures,” titled “Footprints”) and will be performance-showcased at The Asylum Art Gallery in the West Midlands, UK next year.
Check out the other stunning visions on his website: https://www.armanraymusic.co.uk e: firstname.lastname@example.org t: +44/07967 558967 Gassho to Arman Ray for his vision and his Great Vows. Let’s save all beings from suffering together saving ourselves from suffering in/from this ocean that has no way-out.
A Zen poem is not merely an aesthetic exercise. It is not an expression of “art,” design, or thinking. A Zen poem is a teaching tool: it begins in opposites’-world thinking, through the Great Question, perhaps a stopover in the realm of emptiness or freedom-consciousness, to bring the reader to a view of “truth just-like-this.”
Here is a video of some words of commentary I recently offered on perhaps Zen Master Seung Sahn‘s most recognized poem. This talk was delivered at Zen Center Regensburg during the Quarantine Retreat, April 2020.